Two or more characters in one piece of audio: how to write a dialogue script, direct each speaker, keep voices consistent across episodes, and plan credits. Start from $9.
Single-voice narration has one problem: keeping one voice interesting. Dialogue has the opposite problem: keeping several voices distinct, consistent and correctly attributed. A listener has to know who is speaking within the first syllable, without a caption.
This guide covers the dialogue script format, the casting sheet, and what multi-speaker scenes cost.

There are two ways to produce multi-speaker audio:
Most dialogue projects use one pass for the scene and separate clips for pickups. Decide before writing: the script format follows the production method.
MARA: and DEV: at the start of each line, consistently. Do not alternate spellings.[whisper], [laughs], [angry] at the start of the line where the emotion matters.The casting sheet is the document that keeps a series consistent:
| Character | Voice | Pace | Notes |
|---|---|---|---|
| Mara | mid-range, warm | measured | the anchor of the scene |
| Dev | lower, quicker | fast | interrupts, reacts |
| The narrator | neutral | slow | only at the top and tail |
Assign the voices once, save them, and reuse the sheet for every episode. When a new character arrives, add a row before writing the scene.
One credit covers about 1,000 characters of the scene, not per speaker:
| Scene | Characters | Approximate cost |
|---|---|---|
| 2-minute two-person scene | ~1,800 | 2 credits |
| 5-minute scene | ~4,500 | 5 credits |
| 10-episode series, 5 minutes each | ~45,000 | ~45 credits |
A series fits comfortably in the $29 Creator pack, which also covers monetized release. If the dialogue is generated by a game or an app at runtime, the API guide explains keys and credits.
Yes. Multispeaker dialogue is generated as one piece of audio: label each line with its speaker, keep the labels consistent, and the engine reads the exchange as a scene rather than as separate clips stitched together.
One line per speaker, a clear label at the start, a line break between speakers, and performance tags in square brackets where the emotion matters. Keep directions out of the spoken text so they are not read aloud.
Yes. Assign a voice per character once, then reuse the assignment for every scene in the series. The casting sheet — character, voice, pace, any tags — is the document that keeps a long production consistent.
Audio drama, training scenarios, game chatter, podcast skits, language-learning dialogues and animated shorts. Anywhere two or more people talk and the listener needs to hear who is speaking.
One credit covers about 1,000 characters of the whole scene, not per speaker. A five-minute two-person scene is roughly 4,500 characters, so about 5 credits; a ten-episode series of the same length lands near 50 credits.