Generate natural Japanese text to speech with guidance for kana and kanji readings, pitch, honorifics, names and per-project credit planning.
Japanese text to speech is a reading problem before it is a performance problem. The same kanji can have different readings, names need confirmation, and long vowel or small-tsu markers change the rhythm. Start with the exact script, check the first paragraph and only then generate the full narration.
Keep Japanese script in the form the voice expects. Use complete sentences with punctuation and establish the politeness level. If the source came from a translation tool, read it aloud with a native speaker before generating.
Check:
Do not use spaces between every word unless the input format requires it. Japanese does not need English-style word spacing to be read correctly.
Change only the ambiguous line, not the full script. You can rewrite the word with a clearer reading, add the intended kana beside it if the contract allows it, or replace a technical term with the phrase listeners expect.
Keep a name list for a series. A character or company name that is fixed once should remain identical in every episode and every localized page.
Choose register before choosing a voice. A course, customer announcement or news read usually needs a different distance from a character scene or casual social video. The register lives in the verb endings and vocabulary, not in an [excited] tag.
| Project | Register signal | Review focus |
|---|---|---|
| Corporate course | Polite forms | Consistent instructional tone |
| Customer message | Brand-appropriate | Clear action and apology |
| Anime-style scene | Character-specific | Emotional variation |
| Short social video | Casual | Natural rhythm |
| Public announcement | Neutral-polite | Names and numbers |
If two speakers use different registers, mark the speaker clearly. A voice swap with unchanged text can sound like the same character speaking to themselves.
Japanese speech has pitch and mora timing that cannot be judged by translating an English word count. Long clauses and repeated loanwords can make a read feel rushed even when the character count looks small.
Proof-listen the opening and one dense paragraph. Check whether the voice creates natural pauses and whether names are understandable without reading the text. If the pacing fails, shorten clauses and regenerate that section.
One credit covers about 1,000 characters. Japanese “characters” can include kana, kanji and punctuation, so calculate from the actual script rather than an English word estimate.
| Project | Japanese characters | Approximate credits |
|---|---|---|
| 30-second clip | 250–350 | 1 |
| 5-minute explainer | 2,500–4,000 | 3–4 |
| 20-minute lesson | 10,000–16,000 | 10–16 |
| Localized course set | 50,000 | 50 |
Add retries for names and pronunciation. The $9 Starter pack covers a short personal project; monetized publishing needs the $29 Creator pack.
Audition with your own script and the intended register. A voice that sounds great on a short anime line may be tiring across a 30-minute lesson. A calm narrator may be wrong for a lively social clip.
The voice library lets you compare voices before committing. Explore related language guidance in the languages hub and the core text to speech guide.
Localize examples and units, not only translated labels. Verify how names are written and pronounced and test the number format in the final audio. If the page displays a price differently from the spoken form, decide which presentation the listener needs.
For a branded name with an official Japanese spelling, use it consistently. If the brand intentionally keeps the English identity, confirm that the Japanese sentence still sounds natural around it.
Ask them to repeat the topic, speaker relationship and call to action after one listen. Then check pronunciation of the most important names. A native listener catches a register error faster than a non-native editor reading subtitles.
For a video, review the audio against the Japanese captions. If the captions use a different reading or phrase, synchronize both before publishing.
For a long course or audiobook, split at chapter boundaries and preserve one glossary for the entire series. Japanese names and technical terms should not be regenerated from memory in each session. Store the approved reading beside the script so a later editor can reproduce the same decision.
Keep the Japanese text available and label the audio language and duration. Avoid autoplay. For clones, use the voice cloning consent guide and document permission from the actual speaker, not only the owner of the recording.
Yes. Use a Japanese-capable voice and test the actual script, especially names and kanji with multiple readings. Listen to the first paragraph before producing a longer file.
A kanji can have several readings depending on context and the name. If the first result is wrong, rewrite the ambiguous word or name in a clearer form and test the corrected line.
The script must establish the register. Use the appropriate polite or casual forms and keep them consistent. A voice or emotion tag cannot fix a mismatch between dialogue and audience.
One credit covers about 1,000 characters. Japanese character counts differ from English word counts, so budget from the actual script plus retries.
Commercial rights start with the $29 Creator pack. Personal projects are covered by Starter, and a cloned voice requires documented consent.